Ford Escape Review

OK, I’ll admit this isn’t necessarily in the theme of this blog but it such was an integral part of my trip that it seemed worth recording.  Perhaps if you are planning a similar trip you might find it useful.

I had pre-checkout my Alamo rental on-line.  This was the first time I had done this and it is rather disconcerting process.  Basically, you wave your home printed agreement at the man and he points at a row of cars.  You peruse the row and drive off with your favorite.  Its sort of GTA without the skill element.  The “Ford Escape or Similar” contained just the one Escape and numerous Or Similars from Kia and Jeep.  The Ford seemed the best sized, was well equipped and was the best presented.  The reason for that presentation became evident when I turned it on.  It had done just 4 miles.  I was about to increase that by 50,000%

I don’t really know which version I had for sure as there wasn’t any literature in the car but I am guessing it was the 3.0l Limited model based on the spec and badging.  This is quite high up in the Escape pecking order for a rental car and meant a very nice spec and decent performance.

Interior

It’s hard to judge size in the US because there is just a different sense of scale to UK motors but the Escape seems about Freelander size.  The driving position is pretty good with the usual SUV benefits of good visibily forwards.  The privacy glass on the rear half was almost opaque but this was offset with good mirrors with anti-blindspot inserts.  At first the seats worried me a little.  The were quite flat and hard and my arse was going to be spending a lot of time in them.  However, with a little tweeking of the lumber support, they proved to be good companions on a long run.

There were plenty of cubby holes and pockets for all the rubbish that gathers around you on a long road trip.  As this was me, we were on complete gadget overload with iPhone playing GPS stuck on the window.  A 3D GoPro was stuck on windscreen on the other side while a power monkey USB charged spare batteries for it in the cigarette lighter.  A Solar powered Power Monkey soaked up some rays on the dashboard.  Generally the quality of the materials felt durable but a step behind the european premium marks.

Ergonomics were not a strong suit.  I could afford to block the clock with my solar array because I couldn’t figure out how to change it with no manual.  I viewed the “Powered by Microsoft Sync” sticker on the entertainment system with the suspicion that you would expect from an Apple fanboy.  Sure enough, for a while my iOS devices just sulked only accepting only USB power from their tech nemesis.  After some experimentation I persuaded it work as long as it could chose the songs.  I settled for that as I had been stuck on an 80s channel on Sirius for 2 days and did not want to go back there.  

The hifi sounded excellent when MS Sync and I agreed on the choice and the volume went up.  Maybe years of iDrive or perhaps just age means I could remember or locate all the plethora of buttons reliably.  It did look impressive at night though when al those buttons lit up and this is to someone who had Las Vegas outside the car!


The boot swallowed my two large cases and a big camera bag like they were custom made without obstructing the (insurance essential) parcel cover which was great.  The load floor was pretty high but thats a typical SUV failing but it was a good shape with minimal wheelarch intrusion

On the Road

The roads in the South West test the extremes more than you might expect.  Sure, there are plenty of the stereotypical dead straight two-lane blacktop where you need snooze control.  There is also plenty of mountainous, twisty and distinctly slopey stuff too.  On the US “Loniest Road in America” 50 you get both taking it in turns for 2 days.  The Escape felt distinctly sporty for an SUV - there was little roll and the dampening was well controlled.  This was at the expense of a ride which was pretty hard over rough surfaces.  It was a trade-off I was comfortable with given the size of the drops at the side of the road but then I drive a Beemer on run-flats.  The steering was light, direct and accurate and I am used to the slightly disconnected feel of electric assistance.  When you are winding down the super-twisty roads in Yosemite, trying not to imagine what a Ford Escape looks like bouncing a few thousand feet to the bottom by the most direct route, I only had a couple of criticisms.  The first was the brakes which liked a hefty shove and the second was the gearbox.  You only had the option of drive or low.  Low was pretty much meant for crawling through bogs and was not much use on tarmac.  In Drive, going downhill, high gearing meant zero engine braking.  So you would have to resort to those heavy brakes on the nanostraights between the corners if you didnt want unsettling weight transfer or to trust entirely on Mr Goodyear to keep you from a spectacular end.


The engine was a bit of star feature.  I have driven a fair few rental cars in the US over the years including some sportier options and few have ever felt like they had the power their specs suggested.  Often this was the fault of sleepy autoboxes but, still, few engines have shined.  The Ford V6 in a Mustang Cab of a couple of years back felt and sounded purposefully rumbly at low revs.  Actually try and prod it out of Florida cruise mode though and the noise became louder and much more stressed without generating a great deal more pace.  The gearing on the Escape was still stellar but having 6 of them made a difference especially as the engine loved revs and the gearbox seemed to understand that.  It was perhaps a tad behind a BMW straight 6 on refinement but the equal of anyone else’s V6 I have tried.  A world away from the big but breathless big sixes I have tried in the US before.  I am hoping its bigger brother in the 2011 ‘Stang I have booked for my next trip is equally capable.  From a standing start to highway speed the Escape was very impressive.  Before you judge me as a boy racer, if you are coming out of a photo opportunity turnout and there is a UPS triple trailer bearing down on you its not a good idea to hang around.

At speed the Escape felt stable resisting crosswinds well for something that is essentially square.  There was a fair bit of wind-noise especially until I discovered Alamo had missed some tape strips which should have come off.  At the speed my limit aware GPS would start nagging me, the composure was starting to go but this was mainly down to tyre balance.  It is ever so on rentals, I think they unbalance them deliberately to limit over-enthusiasm.

Overall my Escape was an excellent and capable companion over nearly 2500 miles in just 10 days displaying no new car foibles.  It could do the mile eating job necessary in a US car effortlessly enough but showed decent poise and a surprising sporty nature when the occasion arose.  I am happy that I ignored the Or Similars.

Editing and Grading - Reassuringly Inexpensive

When I started editing again a few years ago editing packages came in 2 flavours.  There were consumer ones aiming to suit the person wanting to cut out the foot shots from their 2 weeks in Majorca and add a few cheesy titles.  Then there were the Pro ones which added a nought to the end of the price tag and came with stern and complicated looking interfaces.  Most of these came with some form of colour correction built in.  Apple Color in the Final Cut Studio Suite was atypical being a hard-core grading suite.  At the lower end many of bought plug-ins like Red Giant’s Colorista or Looks.  More up-market productions would turn to applications like DaVinci Resolve which was a hardware/software solution capable of making a 6 digit hole in your bank account. 

On Tuesday all eyes were on the Supermeet to see what Apple might bring to the table.  Apple had been under-pressure from a strong, modern offering from Adobe and a returning to form and increasingly agressive Avid.  The rumour mill was running 24 hour shifts.  Was it going to be iMovie Pro, was it going to be 64bit and just a few short weeks ago even did Apple still care?  I was at the FXPHD party when the presentation started and the party went into suspension whilst the revellers turned to the blow-by-blow account on Twitter.  Well it turns out Apple did care - FCP X (at least what we saw of it) turned out to be more than most people expected.  It is a radically changed UI but not in a consumer direction.  Apple is looking for a paradigm shift in working and its clever and well-thought out.  There is still a lot we don’t know.  Experienced cutters in FCP with shortcut keys hard-wired into their brains are going to find it a shock but not as big as the price sticker.  $299 is what that last slide said which brought the room (and it was a BIG ROOM) to its feet at the Supermeet.  The vibe I got in the days after from people I spoke to was.  “It looks cool but I don’t know whether I can get used to it but for $299 I am going to give it a go”.

On the Colour grading front, two vendors announced free versions of their software.  Red Giant announced a free light version of Colorista.  Even more surprising was a free light version of Resolve.  Coming in July this will lack some features but is still a remarkable journey from super-high end through $1000 Mac version to gratis.  It should run on a laptop according to BlackMagic but remember Resolve really likes Nvidia Quadro cards, a fast raid array and a grading panel.  No-one is giving those away free but at lease Resolve is now supported on the lower cost panels from Euphonix.

Las Vegas

This was my first trip to Vegas.  This is at least partly deliberate.  I don’t really drink very much and the same goes for gambling.  It’s not a deep seated revulsion or based on principle - I just don’t.  So there has never really been a strong desire to go there.

Dawn view from Signature - damn you jet lag!

NAB finally gave me a reason to go - did it live up to my low expectations.  I think the answer is probably yes.  Las Vegas is aptly nicknamed “Sin City” as it is like a corrupted Disney World.  It is just as impressive, well-conceived and efficient and with the same talent for parting you from your cash.  However, whilst Disney blends a spirit of optimism and traditional values with a dash of sentimentality (OK, more than a dash). Las Vegas is set-up to live for the moment and to hell with the consequences.  It’s not a hidden agenda - its right there in the open.  It is unashamed and it is relentless.  It has the same level of sincerity that I see in Disney World that only seems to exist in America.  Its why you couldn't transport either resort to the UK without it ending up a bit rubbish.

I suppose part of my prejudice comes from growing up in a seaside town in Wales.  It’s fair to say that my hometown was not a resort that pitched itself at the upper echelons of the holiday market.  Seeing the massed ranks of slot machines in the Casinos took me back to the amusement arcades of my youth. So when I wander through the Bellagio shopping arcade where every top-line designer is represented to emerge into a giant hall of slot machines is just plain disconcerting.  Especially, when you see rows of people in Guccipradior playing.  That would never happen in Rhyl - well, not real designer wear and they would be trackies.

Ornate ceiling at Bellagio

So would I warn you off going to Vegas?  No, I wouldn’t go that far.  It is worth seeing.  Even if you are viceless, there is a lot to do and the architecture is monumental and the interiors are opulent if not always tasteful.  Its also a reasonably priced placed to stay as the gambling subsidises the rates and there are just huge quantities of rooms available.  Just don’t say I didn't warn you if you come home broke.

P4142249

NAB and Twitter

They say filmmaking is not about the gear, its about the content - the story in particular.  But NAB is not a film festival its a trade show, so for this one week, gear takes centre stage.  Less evident, but no less powerful is that NAB is about the people.  New relationships, affirmations of relations, chance encounters - it’s all here. 

This same mix of gear and people is what drew me across the Atlantic.  I have had the chance to meet many of the key people in the UK DSLR movement through events like Converge.  However, many of the people I communicate with through the likes of Twitter and blog posts.  When NAB hits Vegas, many of these people emerge from the Interweb and head for Nevada.  I had hoped for a chance to meet a few of these folks during my visit.  However, thanks to events like All-in Film and the RC Live I think I have met pretty much everyone I knew before plus lots of new folks to follow.  Not being the most socially adept person or a even “proper” creative I worried a bit about what kind of reception I would get but I found everyone to be almost universally friendly. 

All-in Film at the Had Rock

I feel heartened that the online community is capable functioning as a real community when the opportunity arises.  I feel enthused and inspired listening to what people are doing and planning.  I look forward to seeing what they produce and I will continue to strive to be worthy.

Thunderbolt Hunting

I wandered round the South Hall looking for Thunderbolt devices.  As I have previously stated, I think Thunderbolt has great potential and I was hoping that a few manufacturers would be ready to respond despite the short lead-time from the announcement.  I did find a few which is encouraging.  The most common item on show was disk drives.  Promise, Sonnet, G-Tech and Lacie all had something to show.  Except for Lacie, they were mainly mini-tower RAID drives of various sizes. 

Smaller 4 drive Promise RAID

Promise seemed to have the most fully formed offering and were quoting the lowest lead time.  Prices are expected to be a little higher than FW800 versions but not stupidly so.  Some manufacturers were waiting on Intel to hand over the silicon. 

G-Tech with Thunderbolt v Firewire

G-Tech for example were using Thunderbolt card on a board.  I got all excited as I thought it was a PCIe card suitable for a Mac Pro but was told that this was just an engineering version of a Thunderbolt chip. 

 

Lacie had a different kind of offering.  They were using Thunderbolts daisy chaining capabilities to link up lots of their Little Big One drives.  Each of these contains twin 7200RPM laptop drives.  They had used Drive Utility to RAID 4 of these together and were seeing read times of over 200MBps which is impressive for mobile hard drives.  SSD versions are in the pipeline too.  Lacie did reveal that Intel were currently trying to sort out an issue on write speeds currently which affects drives using a popular interface bridge chip from Marvell which He didn’t think SSDs would be impacted as they use a different chip.

I saw two non-disk devices from Blackmagic and Matrox. 

BlackMagic Thunderbolt equipped capture device

The Blackmagic is an interface box and decoder allowing you to connect up several different kinds of video feeds to a Thunderbolt device, it also has 2 ports so Thunderbolt drive arrays can be connected to the host.  Its not ready to ship yet (waiting on Intel for a decent inventory of chips) but it is working and it could be seen doing just that on the Adobe stand. 

Little black box links MXO2 PCIe connector to Thunderbolt

Matrox had taken a slightly different route.  Some of their MXO2 devices required a PCIe card and, with Apple only offering that on the 17” for the last 2 generations,  They have created a little black box which effectively acts as a Thunderbolt converter,  Remember Thunderbolt can act as a PCIe bus so this is not a giant engineering leap but still usefully offers new and existing MXO2 owners some new machine options.  I asked if Matrox’s hardware encoding still gave benefits especially with GPU accelerated options like Adobe Media Encoder.  The representative assured me that with Thunderbolt support and recently improved Premiere integration it still gave performance gains.